I think this is probably my favourite Art in August piece so far. I have to say a thousand thank yous to Laptop on the Ironing Board for coming up with the Art in August challenge – it has given me an excuse to indulge in some of my favourite creative pastimes without guilt. It’s for the blog, so it’s working, right?
Drawing animated characters is something I have always enjoyed doing. I find it much easier to copy someone else’s drawing than come up with my own, and cartoons have a simplicity to them that give great results without spending hours on shading and detail.
My first attempts at copying animation, back in my teens, were when I became obsessed with drawing stills from the Watership Down movie. Back then, before the handy invention of the tablet, I had to pause the video and copy from the screen – occasionally tracing off the TV (in the days when they had glass screens and you could touch them) but more often sketching from the image and then redrawing in detail.
Animation was easier to copy then, as the originals were usually watercolours, in flat colour, rather than the modern CGI three-dimensional almost lifelike characters (well, apart from the scary-huge eyes and tiny chins!) The largest Disney drawings I have done are when I painted a four-foot Ariel and a three-foot flying Dumbo, together with Winnie the Pooh and Piglet, on the wall of a little girl’s bedroom. I always intended to do the same for my children, but our walls of crumbling plaster don’t really lend themselves. Besides, talk about setting a bad precedent!
Today, I was fortunate enough that the children were off
trashing the playroom playing for an hour, so I was able to start the picture of Elsa I’ve been wanting to do for weeks.
As time is of a premium now I have children, I decided to use a tutorial by Mark Crilley for my drawing of Elsa. It meant I could follow step by step, focussing on things like the way the eyes tilt up and the sassy slant of the eyebrow.
The tutorial was brilliant, although Mark did much of his shading using coloured pencils. I’m not so good with pencils and finding any that weren’t full of broken lead proved challenging, so I used watercolour on pretty much all of it.
I’m a bit frustrated that I started too close to the top of the paper and couldn’t fit all the hair in, and the shading of the dress isn’t great because I couldn’t see it too clearly on the tutorial, but otherwise I am pleased.
I love Elsa, the “conceal, don’t feel” ice queen. They used to call me the ice maiden when I was younger – a combination of white-blonde hair and shyness that came across as arrogance – and I would give anything to have a hundredth of Elsa’s cool sass.
For now the picture will have to do!