Filling the Gaps: Where’s the sex?

"Romance" covers show what readers want

“Romance” covers show what readers want

I’ve been working on Class Act today, hurrah! After too many days lost to sickness (me and the children) it was nice to get back to it, even if I didn’t make as much progress as I’d hoped. I had a pretty rough day yesterday and it is hard to write, for me, when I’m emotionally drained.

So I spent the time I had looking through my current draft of the novel to spot areas that needed expanding. As I’ve mentioned before, I tend to write the highlights in my first rough draft, and then have to go back and fill in the gaps during revision.

One thing I’ve noticed that I leave out a lot is the sex. My books are fairly chaste, particularly by modern standards. There isn’t much nookie, even though Baby Blues starts with a sex scene (which was originally more detailed than the final edit). I find it’s not something that gets added in unless I think of it. Maybe it’s because I grew up reading (and loving) Georgette Heyer novels. (Class Act definitely has elements of a Heyer story). Maybe it’s because I’m a mother of two small children, generally too exhausted to give much thought to nookie in my own life (sorry hubbie!)

It’s certainly unusual. Most of the chick lit books I grew up reading (aside from Heyer) have at least one or two sex scenes, from the sweet, to the implied, to the steamy. I enjoyed reading them in my teens and twenties, although I’m not a fan of erotica or books that have sex as the main focus. But it is generally a natural part of relationships and therefore plays a role in the character and plot development, so why do I leave it out?

My Latest Read - lots of kissing!

My Latest Read – lots of kissing!

I am noticing, as I read Twin Curse, that there’s lots of kissing and physical contact (and I’m sure eventually sex). And I wondered, is that why my books don’t sell well and don’t get reviews? In the days of Fifty Shades of Grey, am I not fulfilling the need for a bit of action? Certainly if you search ‘romance’ books on Amazon, the covers suggest that bedroom action is a key selling point. When I write my novels, my aim is usually to explore characters at life-changing points in their lives: change of career, change of priorities, change of heart. They fall in love, but that’s only part of the story. The demons they battle are in their minds and in their past. But, to make the relationships genuine, there has to be some physical attraction.

I remember watching an episode of Bones once (a TV show about a forensic anthropologist who is also an author). The lead protagonist is proud of her books, particularly the scientific aspects of them, but her fans buy and read them for the sex. She actually has a friend of hers help her with that aspect of the stories and eventually gives her friend a percentage of the book royalties because she realises it is the sex that is selling the books.

I suppose the phrase “sex sells” didn’t come about by accident. But it feels awkward for me to go through the story and inject sex scenes where there are none. Particularly in Class Act, where the physicality of the relationship is a core part of the story. I was shocked to discover I’d got to the climax scene in the first draft without the couple ever ending up in the bedroom – even though it was a core part of the story! (The same happened in Baby Blues but at least she had the excuse of being pregnant / a new mother!)

And then of course there is the issue of how steamy to be. I prefer implied action, because what is a turn on for one maybe a complete turn off for someone else. I remember reading Mills & Boon as a teenager and giggling over the “throbbing member” type descriptions. Focusing on the sensations and the emotions is probably more my style. But there is a danger that it all gets too introspective and unrealistic: people don’t typically have internal dialogue when they’re in the clinch of passion.

Anyway, I don’t really have the answers, but I was intrigued when I realised how unromantic and chaste my romance novel is in its early drafts. Maybe I should stick with writing YA or move into MG fiction. I’m obviously more interested in plot points than pants! But, for now, I need to fill the gaps. I’m sure hubbie will be happy if I do some research and inject some sex back into things! 😉

Defining the Climb

My Latest Read

My Latest Read

I finally started reading Twin Curse by Rinelle Grey this evening, having decided I’m ready to go back to kindle reading after a month of library paperbacks. And I realised, after my self-deprecating discussion of my own writing recently, that there is a place for all types of reads.

Not to suggest that Rinelle’s writing is anything other than great, because I love her work (I feel I’m digging a hole here. Bear with me!)  but, after the flowery dense descriptions of Maggie Stiefvater, it’s refreshing to get to grips with a standard format book, with clear limited third-person perspective, relatable characters and a promising storyline.

I started it for five minutes before bed (after mooching Facebook all evening because I’m between books and feeling poorly) and I’m already 14% through. I might never write the awe-inspiring prose I admired in The Dream Thieves, but if I can learn to spin a riveting yarn, then that’s good enough for me. (Again, I feel I’m unintentionally comparing Rinelle’s books unfavourably to Maggie’s. It’s not my aim. Sigh. Moving on.)

As I just got another low rating on Goodreads for one of my books (without a text review to explain why) I clearly still have some way to go. But a mountain is climbed one step at a time, and maybe sometimes it’s worth accepting that Ben Nevis is fine, and we can’t all conquer Everest.

And maybe sometime soon we’ll all stop being ill and I’ll be able to get back to climbing my mountains without poorly husband and child in tow!