None of this would have existed if I’d given up in January
I’ve discussed before about the importance of learning to ship. It’s a term I’ve learned from Kristen Lamb‘s blog. As a writer (or any kind of artist) you can’t stress over a piece of work forever. At some point you have to release it into the world, because otherwise you never start on the next project. This is so true for me.
This time last year, I was waiting to hear if Dragon Wraiths had been shortlisted for the Mslexia Children’s Novel Competition. My life was on hold. Having been long-listed, there was a part of me that really believed I would get shortlisted (because what is life without a pipe dream?) When I wasn’t, everything crashed in for a moment. Not because I thought Dragon Wraiths would win – I wasn’t that deluded – but because the shortlisted authors got to meet agents.
After the initial mourning (which wasn’t long) I decided to seize the moment and send out queries to as many agents as possible, while my belief was still high. I know myself so well. Of course none of those queries resulted in anything – I didn’t really expect them to, because the slush pile is huge, my opening chapter weaker than it should be, and my query letter dull. That was why I’d pinned my hopes on getting shortlisted, because getting an agent to pay attention is the hardest part of writing.
Without self-publishing, Dragon Wraiths would still be this
Then I started the daily challenge, and had other things to think about. I kept writing (part of the reason for doing the challenge). My family encouraged me to self-publish Dragon Wraiths and, as my belief in the book was still high, I did.
Best decision ever.
Even though it’s had some bad reviews, and sells only a handful of copies, it gave me the impetus to get Baby Blues and Wedding Shoes self-published too. That hasn’t had any reviews in the UK and only one in the US and has sold even fewer copies. But it’s out there.
The important thing with writing is to keep writing. I could not have done that if I was still trying to get an agent for Dragon Wraiths. My brain would have been on hold. I would have spent all my energy and used up all my fragile confidence sending out queries, waiting for replies, getting excited, getting depressed. It would not have suited me at all.
Yes, I think the ability to ship is too easy with Self-Publishing. Books are released too early, when perhaps they’re not as good as they could be. But I don’t really think it matters (as long as, you know, they’re not awful. With no grammar and full of typos. There has to be a minimum level!)
Lovely reviews make it all worth while
I believe you can over-work something: I definitely did with my artwork, towards the end. Made my paintings into what I thought others expected them to be, rather than just going with the artistic flow. My pictures became bland and lost their edge.
I’m not saying my novels wouldn’t be better for a strict edit, for going through the write and rewrite process of being traditionally published. But they might not be my books anymore. And, knowing me as I do, my faith in my writing might not survive the journey.
Besides, we live in a throwaway culture. I’m not writing books to last forever. If someone reads my book, shrugs, says “meh?” and moves on, so what? I do that to traditionally published books all the time (even books by favourite authors like Terry Pratchett. More on that in another post). At least they haven’t spent a fortune on it.
And for every person who leaves me a one-star review that says I wasted hours of their life, there will be someone eagerly hanging on my next release. And there will be a next release, because of those people.
I would have given up on Claire months ago, if I didn’t know people were reading it. I would have given up after three months of querying Dragon Wraiths and gone searching for a day job, if I hadn’t had enthusiastic reviews. I certainly wouldn’t have thought about writing a sequel.
Self publishing isn’t for everyone. I read for and against arguments all the time (usually by interested parties, arguing for their own chosen route!) But, for me, it has been a salvation. Reading posts like these (Are you waiting for permission?) about the waiting and worry of the traditional route, I know now that I would have given up too soon. My self belief was a tiny spark in the dark and, with nothing to fan it into life, it would have died out completely.
Only time will tell if I will make it as an author. All I know is, without my blog, without self-publishing, without getting some kind of positive feedback, I wouldn’t have come even this far. Everyone knows the key to becoming a better author is writing more books. What they forget to say is that you need to ship them too! 🙂
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Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:
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“How do you like the south west?”
Maggie’s question sounded innocent enough, but Claire frowned at her, wondering if she had somehow picked up on her dilemma: Dorset or Cornwall?
“It’s a beautiful part of the world,” she replied in a noncommittal voice. “I think of all the places I’ve been too, Cornwall feels most like home.”
Maggie’s face became wistful. “I was like that with the Lake District.” Then she brightened. “You can always find a new home, though.”
Claire wondered at her meaning and a memory surfaced in her mind. “I thought you hated moving away from the Lakes? Didn’t you say you moved south to be with your husband – Steve, was it? But you went back to the Lakes whenever you could.”
Maggie’s eyes opened wide. “You have a good memory! Yes, that’s true, I missed the Lake District. Kent is pretty, but it lacks the drama of the northern counties. Cornwall has its own drama though, as I’m sure you’ve discovered.”
With a nod, Claire took a sip of her Earl Grey and tried to understand the change in Maggie. There was a radiance about her that she didn’t remember from before.
“Tell me about your friend and her activity centre. It sounds like a big project?”
“His.”
“Sorry?” Claire looked puzzled.
“My friend is a he.” Maggie flushed and looked down at the table, her hands cupped around a steaming mug of teak-brown tea.
Claire stared at Maggie and a suspicion began to seep into her consciousness. But how to ask? Suppressing a smile she said nonchalantly. “So, he is opening this activity centre. Where do I come in?”
“Like I said, Timothy needs assistance with the marketing and promotional side of things. He’s done all the set up and renovations himself. You should see the place, it’s amazing.” Her eyes glittered with enthusiasm. “It really is a wonderful thing he’s doing. He has lottery money to help get him started, but there is so much to do.”
“And are you helping too?” Claire drew circles on the wooden table with one finger.
“Yes, I go when I can. I still have commitments at home.” She seemed to realise where the questions were leading and looked up sheepishly at Claire, who wondered if she was brave enough to pry.
Trying to pour all her curiosity into her gaze, Claire rested her eyes on Maggie and waited.
“Oh, alright then, if you must!” Maggie exclaimed, as if Claire had spoken. “Steve and I broke up. I couldn’t take it anymore. Then I met Timothy, and he told me about his dream.”
Claire sat back and listened as Maggie explained all about her new romance, about how amazing it was to have something to pour herself into, now her children had left home. How Steve had seemed relieved when she ended their thirty-year marriage and how she felt they had never really understood each other.
Claire thought about Conor. Who hated silence, who would rather be in a crowded bar listening to loud music than striding across empty hills. Conor who had invited her to a weekend in Ireland for a family celebration, a thought she was desperately trying to forget. There was nothing like going to a church to give an eager man ideas.
Eventually Maggie seemed to sense Claire’s lack of attention and her flow of words trickled to a halt. “I’m so sorry, wittering on like this. You must be bored stiff.”
With a stab of guilt, Claire sat forward. “Sorry, Maggie, I am listening. It’s just I have a new man, too, and he’s invited me to a Baptism on Saturday. In his home town, near Cork. My mind wandered for a moment, because I don’t know if I should go.”
And it all poured out. Everything that had happened since she’d last spoken to Maggie. About Conor not wanting to leave Swanage, and her urge to stay in Cornwall. How she didn’t want to work for him, and wasn’t sure they had enough in common to be together.
“My goodness,” Maggie said, when Claire had finished. She looked as if she was about to say something else when a general commotion around them heralded the arrival of the Brownies for afternoon tea. With a look that said, we’ll talk later, Maggie rose and went to serve juice and cake.
*
“Hey gorgeous, are you all set for the weekend?”
Claire heard the hesitation in Conor’s voice, as she cradled the phone to her ear and tried to block out the sound of endless chatter from the room next door.
“Where are you?” He added before she could answer; his tone somewhere between amusement and frustration. “I can barely hear you.”
“Sorry, I’m staying with Maggie at the hostel in Exmoor National Park. Don’t you remember? I said I was coming up here to pick her brains about the Guide Association. The children are currently getting ready for bed, if you can call it that!” She laughed. For all her initial horror, she’d enjoyed spending the afternoon with the Brownies. They were at a nice age, between childish dependence and teenage sass.
“Yes, I remember. Will you be back to catch the flight on Friday night? Only the service is Saturday afternoon so we need to be there in time.”
Claire chewed her cheek. Conor had mentioned the Baptism in passing on Sunday, before he returned to his apartment. It hadn’t sounded a big deal, more an excuse to go away together for the weekend. She wasn’t sure she was ready for it, but didn’t have a good excuse to say no. Now, though, he sounded anxious.
“Am I missing something?” She asked, deciding honesty was the only way. “The last time your family tried to get you to go to a Baptism you chose to take two boys out to a castle instead. I thought you avoided these family affairs?”
“That was some distant cousin. This is my niece and I’m one of the godparents.”
Claire gasped. “You didn’t mention that on Sunday.”
There was silence followed by Conor clearing his throat. “I was afraid to. I thought you wouldn’t come if you knew we’d be right in the middle of it. My family can be a bit full on. But I’ve been thinking about it, and it didn’t seem fair to spring it on you when we got there.”
He sounded like a small boy explaining the muddy footprints on the white carpet. Claire was forced to smile, although she still felt sick.
“I don’t have to do anything, do I? As your guest? I thought godparents were usually couples?”
“No and not always. You just sit in the pew and try to stay awake. You might want to wear a frock.”
Claire slumped back on the bed and groaned. A formal meet the family affair, two weeks into a new relationship. Just what she needed.
***
Recently, it seems I haven’t been able to pick up a major-publishing-house book without finding that it’s littered with editing errors – missed quotation marks, extra words, wrong character names being used, someone present in a scene when they can’t be (because they’re in hospital), or, my favourite, the find-replace. I’m particularly guilty of this – I once replaced a name and didn’t notice that it had replaced the same three letters wherever they appeared, even in the middle of words. And yes, I published it by mistake. Not my finest hour (thankfully noone bought it). But in a seriously published book? Not good.
You don’t see an Oxford Press or HarperCollins book getting review headers like, “no real grammar/spelling mistakes” (yes, that’s from one of my reviews, and the reviewer offered to edit future novels of mine free of charge) or “A couple of typos but not enough to take anything away from this great love story.” You certainly don’t ever find books published by big publishing houses with reviews that blame the author for any mistakes, or worse still make it clear the reader has gone looking for them.
writermummy 