Searching For The Next Novel Idea

A book of ideas

A book of ideas

I’ve decided to park Finding Lucy for now, as I need to start writing now to get back into the swing of things and the draft needs far too much analysing to write anything more on it yet. So today I ran through my scribbled list of projects looking for inspiration. I didn’t find it, even though the list is rather long!

Current Drafts:
Finding Lucy (needs too much work)
Bonds of Love (ditto, plus has overlap characters with Finding Lucy)
Annie and Phoebe (about a Georgette Heyer novel that isn’t in public domain, so a no go for self-publishing)
Dragon Wraiths part two (don’t have the energy to pick through the hot mess of the last few chapters)
Alfie and the Arch (don’t feel qualified to write kids’ fiction at the moment)

Pencilled in Sequels
Sequel to Two Hundred Steps Home (don’t have energy to re-read the 200k original to pick up the story thread)
Sequel to Baby Blues following Ben and Sharni (isn’t grabbing me, lots of cultural research required)

Totally New Ideas
The Pudding Club (an idea that floats around every time I catch up with my old colleagues – a novel or play written just through dialogue at regular catch-ups. Bit worried my friends will try out work out which one is them or take offence.)
Dad Starts Dating (a YA about a girl whose divorced parents start new relationships – based on personal experience; I worry I would end up offending my mum!)
Colony on Jupiter (YA? – one of the dream stories I actually wrote notes on rather than immediately forgot. A bit like the TV series 100, although my idea predates watching it, but where the space station is a functioning community with shops, school etc)

So far NONE of these is remotely grabbing me. I want to write something with a bit of pace; I’d love to write a series, to help sales and because I loved spending a whole year with Claire last year, and I’d love to write something fantasy/sci fi, even though that’s considerably out my comfort zone.

But a) I worry that straying from the stye of Class Act and Baby Blues will be a mistake (although I can’t give Class Act away, so there isn’t much to break) and b) I’m really not sure I have the imagination to pull it off without plagiarising something. It’s no coincidence that my characters are loosely based on me: my biggest fear is stealing someone else’s idea/style/world. I found it happened a lot with Dragon Wraiths, whereas it was easy to imagine the settings for Class Act and Baby Blues.

I feel like when I can’t decide on a new book to read, which ironically is also a problem I’m having. I have three or four good novels half-finished on the kindle and have reverted to the failsafe of Harry Potter just to keep reading. It feels like I poured all my creativity into loombands and knitting and art in August and now I’m empty (and have RSI!)

Arrgghh. Writers out there, where do you get your ideas from when you’re stuck? How do you choose your next project? I have been working on old manuscripts for so long I’ve forgotten how to start something new, and I’ve never started something without a glimmer of an idea from a dream or a character or an idea how the story ends. Maybe it’s time to get an early night and hope I remember my dreams!

Life, recycled

www.amanda-martin.co.ukBefore I decided to try my hand at writing, and discovered an overwhelming need to pen novels, I took various other paths to a creative future.

I worked in marketing, designing the horrible colourful mailing packs that arrive on your doormat, which you chuck in the bin. I worked in PR, writing the internal communications magazines and announcements that make you chuckle and shake your head in disbelief, when you get them from head office.

I went self-employed and tried to make money selling my abstract paintings. I took a study course with the Open University to improve my photography and tried to make that my next endeavour. I set up a small company, Daisy Chain Marketing, and built websites for small businesses.

Nothing really took off, mostly because they all required me to sell myself, and it turned out that was the one thing I was rubbish at.

When I found creative writing, and nanowrimo found me, my whole world changed. Writing was what I wanted to do. That self-selling part is still a sticking point, but in terms of time, I only have to worry about it at the end. I can write merrily for nine-months before I have to poke my head out my shell and worry about what to do with my work.

Having found writing, I then berated myself for not finding it sooner. All those years, pre-kids, when I was farting around trying to be an artist, a photographer, a marketer, I could have been writing novels.

What a waste.

Except it turns out not to have been a waste at all. Because I’m at the sticky end now: I am thinking about selling my first novel. And I am discovering that I can recycle all those old skills I learnt. Skills I didn’t know I had, or took for granted.

Need a book cover? Easy. Source an image online, using all the marketing sites from old. Need to put it in the right format? No worries. Use the adobe photoshop software from my photo-editing course. New website? A doddle. All that time building simple websites with Mr Site meant I could knock one up on a Saturday afternoon, while watching the kids build sandcastles in the garden. Need to send out a press release for the forthcoming publication of Pictures of Love? Not a problem. I have press release templates a-plenty.

Okay, so nothing looks quite as good as it would if I had paid a professional to do it. My front cover probably screams self-designed/self-published. My website is a bit sparse and basic (I don’t do html). The press release may well get consigned to the waste-paper basket. But it hasn’t cost me anything, and I have had a lot of fun.

And who knew those old redundant skills could be recycled so effectively?

Another by-product of my sporadic career is subject matter. In Pictures of Love, Helen wants to be a photographer. In The Real Gentleman, my leading lady has a painting exhibition. Sam, from In bonds of love, travels around New Zealand, and a chunk of Finding Lucy  is set at the kind of corporate events I used to help organise during my time in Internal Comms.

I guess write what you know is easier if what you know and what you’ve done covers a lot of ground. So, there you go, when I thought I was being flaky, I was actually building up a stock of experiences to write about later and a whole bunch of skills to promote it afterwards.

What skills from your former life have you found to be useful during your writing/publishing?

P.S. you can find my website at www.amanda-martin.co.uk. If it would be useful I would be happy to write a post about any or all of these ‘skills’, such as designing book covers or building easy websites.