I know it’s been ages since I wrote a post. What can I say? My fortieth year seems to be a time of change. Looking for a job that pays actual real money, de-cluttering the house and fixing things we’ve put up with for ages, trying to lose some of the 30lbs I’ve gained in the last decade without actually going on a diet because, cake.
And, despite my last post, trying to write a book for adults.
After my defeatist post, saying I wasn’t going to write for adults anymore, I decided that was a bit crap. So I downloaded a book I’ve heard great things about, called Save the Cat by Blake Snyder. It’s a book on how to write screenplays, rather than novels, but the principles are the same.
Snyder uses a 15-Beat plan to plot a screenplay (or novel) and it’s the first time I’ve seen a beat sheet that actually helped create the plot, rather than just lay it out and break it into acts.
For the first time ever, I have planned a complete novel from beginning to end, set out in 45 scenes, with word count targets, turning points, characters, motivation, conflict and resolution. I usually start writing with a character and an ending and that’s it. This time I didn’t even really understand who my lead character was until I was some way in.
So, I have these cards. This plot. This complete story. And I’m scared.
I’ve never written to a plan before. What if I can’t flesh out the story to do my plan justice? What if I try too hard and it’s stilted, because I usually seat-of-pants my writing, which gives it great vigour and flow. What if, what if…?
Even though I have a complete story there, ready to be written, I have writer’s block. It’s horrible.
I forced myself to write a couple of scenes this morning, just to get going. But it was HARD. To make it worse, I have accidentally written a plan for a story that is tough. Difficult scenes, not-very-nice characters. Grief, angst, worry.
As part of his lessons, Snyder recommends that you choose a hero that, “offers the most conflict in the situation, has the longest emotional journey, and has a primal goal we can all root for. Survival, hunger, sex, protection of loved ones, and fear of death grab us.”
I don’t normally do conflict. I don’t like writing tough scenes. Writing the suicide-attempt scenes in Two Hundred Steps Home made me unbelievably miserable. But somehow, Snyder’s book created this tense, conflict-driven storyline. And now I’m too afraid to write it.
I get very affected by what I write. I remember being horrible to my husband when writing about Daniel in Baby Blues & Wedding Shoes. I go out of my way to avoid arguments and upheaval. Just being around my constantly-squabbling children at the moment is exhausting. So why would I write a book about horrible things?
Because it should be a good book, that’s why. Moving out my comfort zone, upping the conflict, should make for a page-turner. If I can do it justice and make a character I can root for.
While I haven’t started, all that is wonderful potential. As soon as I begin, I will realise I don’t have the skill to pull it off. Maybe that’s why I’m a pantser at heart: not because I can’t plan, but because I don’t have the self-belief to put a plan into action. Pantsing involves a lot of writing from the subconscious, switching off the critical, analytical part of the brain. Writing to a plan is going to make that so much harder.
But nothing good ever came easy, right? So I’ll plod on. Like losing 30lbs, it has to start one day at a time. One biscuit fewer, one mile more. One paragraph, one card, one page.
My book is called, “It takes courage.”
It certainly does.