My unshaken confidence in my five-year plan to become an author that actually sells books took a serious wobble today. Due to dismal sales figures last month (each book only sold 6 copies) and the lack of any reviews on Baby Blues, I decided to drop the Smashwords price to 99p on both books for November. It ties in nicely with NaNoWriMo: my contribution, if you like, as I can’t participate this year. The first draft of Baby Blues was penned during NaNo 2011 (while I sat watch over my solo art exhibition) and it seemed appropriate to celebrate the fact.
However, when I dropped the price on Smashwords they put the book under review (even though I hadn’t touched the manuscript) and then booted it out of Premium Catalogue for apparently containing page numbers. It doesn’t. So instead of writing a decent Claire installment this morning, I spent two hours copying and pasting the entire MS into a new word document, relinking the hyperlinks and double-checking everything. Only to have the darn thing not load properly. I’ve tried three times today and it’s still ‘loading’. Grrr.
It’s very tempting to withdraw both my novels from Smashwords and re-enroll them in KDP Select, as I haven’t sold any copies through any other route. It feels a bit like moving to sit in the other end of the boat as it goes down though – I don’t think it’s going to make much difference to the result. There are just too many books out there to compete with. Free books. Books with glitzy covers. Racy books, thrillers, erotica. Things people seem to want to read.
So far I’ve had around 2,200 copies of the free Two-Hundred Steps Home downloaded, across the ten volumes. That’s thousands more than I’ve sold copies of my novel. So my glorious idea of writing THSH to hopefully cross sell Baby Blues and Dragon Wraiths clearly isn’t working. I did get a nice review on THSH Volume 10 today – my first review on anything in ages. (Don’t get me started on the reviews from friends and family that Amazon just won’t publish, even though they’re not at all sycophantic and are just genuine and nice).
I try so hard not to get disillusioned. I knew this was going to be a long slog. I could still be trying for an agent for Dragon Wraiths: instead I’ve sold nearly 100 copies. It doesn’t sound like much, but rumour has it even eighty-something percent of traditionally published books don’t sell more than 100 copies, so it’s something to be proud of. It’s just hard, spending 70% of my time on promotion, formatting, covers, social media, thinking up new sales ideas and 30% on actually writing more books. I can’t even squeeze in NaNoWriMo for the first time since 2008.
I have four unfinished manuscripts and two outlines for sequels and I haven’t been near them all year. I’ve loved doing THSH and publishing Dragon Wraiths and Baby Blues, but it’s hard not to feel discouraged when I see what little impact they’ve had. Writing the darn things is just not enough. The story of my life revolves around my inability to sell my stuff. Web design, paintings, books – you name it. I can do the graft, put in the hard work, but if no one buys anything it’s just so much clutter and hours wasted.
Anyway, sorry for the doom and gloom, I’m sure it’s the infernal cold talking and I’ll be back to my positive self tomorrow. That’s if Smashwords actually sees fit to publish my book anytime soon! Grrr
Below is the next installment in my novel Two-Hundred Steps Home: written in daily posts since 1st January as part of my 2013 365 Challenge. Read about the challenge here.You can catch up by downloading the free ebook volumes on the right hand side of the blog:
Claire looked at the email and pursed her lips, trying to read beneath the business-like words. The message contained none of the usual friendly jokes or snide comments that they used to, before Sunday night ruined everything. With a frown she read the note again.
Thank you for sending through your initial findings, they appear satisfactory, although I have not had a great deal of time to peruse them. We are working hard on the Carnival and there isn’t much time to spare.
Regarding the Carnival: I need you to be back in town for that week. I realise that it isn’t part of your current job description to help out, but I’m afraid we’re short staffed. It’s an essential part of the region’s tourism, so I’m sure you’ll understand why we need it to be a success.
In the meantime I suggest you press on towards Cornwall: there is a lot of ground to cover and, as I understand you’re still in Dartmoor, you will struggle to get around all the major destinations in the time allotted.
The last sentence definitely sounded like a rebuke, although Claire couldn’t point to the exact part that gave her that impression. Did he know she was hiding, licking her wounds? Was he angry at her running away or ashamed at his behaviour? There was nothing to work with. It was as friendly and helpful as an email from Carl would have been.
Pushing her laptop away, Claire pulled out a copy of the hostel map and worked out her route. She’d decided to stick to the YHA hostels, after her experience in Torquay.
Although I’ll learn to call ahead.
Looking around the empty hostel at Bracken Tor, Claire wondered if she would be as fortunate to have an entire building to herself in any of the other hostels. It felt a bit spooky, with the gardener the only other living person in the area, but at the same time her soul yearned for the solitude.
When she’d arrived back at the hostel she’d decided to skip her planned activity and wander around the house and gardens, enjoying the silence. She’d read her book, eaten some toast and made endless cups of hot tea. She couldn’t remember the last time she’d felt at such peace with the world.
Still, Conor has put an end to that. Back to work.
With a sigh, Claire looked down the list of hostels and picked one to call. She grabbed her phone and keys, strode out the room and up the hill until she got a signal.
“Yes, hello? I’d like to book a bed for the night. Yes, tonight please.”
As she waited for the manager to check for vacancies, Claire looked around at the endless scenery, with no sight of the steaming heap of humanity Conor was so fond of. Aside from the hum of the main road, she could have been on a remote island, miles from anyone or anywhere.
Wouldn’t that be nice?